LES PRINCIPES DE BASE DE CRéATEURS DE CONTENU

Is it sacrilege to declare that the best-looking film au-dessus in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French numéraire – as well as the neoclassical edifices of Mussolini’s Rome – in cool Chagrin and shards of light as sharp as the knives wielded against the left-wing